Montague Hill. She became more and more alive, not so much to a system of ideas as to a big diffused impulse toward change, to a great discontent with and criticism of life as it is lived, to a clamorous confusion of ideas for reconstruction—reconstruction of the methods of business, of economic development, of the rules of property, of the status of children, of the clothing and feeding and teaching of every one; she developed a quite exaggerated consciousness of a multitude of people going about the swarming spaces of London with their minds full, their talk and gestures full, their very clothing charged with the suggestion of the urgency of this pervasive project of alteration. Why should they be? She and Ramage were friends, very good friends. Nothing, in short, portable or valuable was left. Even now she was dazed. When the word “FREAK” appeared scratched in the persimmon colored paint on her locker, she knew that in some fragile young woman’s mind a war had escalated from imaginary to physical. They have no ideas what to do with us. “Absolutely platonically,” she said.
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