Wood from pressing his suit long ago. ” She shrugged her shoulders and led him towards a small recess. " "I see. CONTENTS CHAPTER PAGE I THE CARPET-KNIGHT AND THE 7 LADY II THE ADVENTURE OF ANNABEL 15 III ANNA? OR ANNABEL? 20 IV THE TEMPERAMENT OF AN 26 ARTIST V “ALCIDE” 31 VI A QUESTION OF 36 IDENTIFICATION VII MISS PELLISSIER’S SUSPICIONS 41 VIII “WHITE’S” 45 IX BRENDON’S LUCK 54 X THE TRAGEDY OF AN 61 APPETITE XI THE PUZZLEMENT OF NIGEL 66 ENNISON XII THE POSTER OF “ALCIDE” 70 XIII “HE WILL NOT FORGET!” 76 XIV “THIS IS MY WIFE” 81 XV A MARRIAGE CERTIFICATE 89 XVI THE DISCOMFITURE OF SIR 96 JOHN XVII THE CHANGE IN “ALCIDE” 103 XVIII ANNABEL AND “ALCIDE” 109 XIX “THIS IS NOT THE END” 115 XX ANNA’S SURRENDER 121 XXI HER SISTER’S SECRET 126 XXII AN OLD FOOL 134 XXIII MONTAGUE HILL SEES LIGHT AT LAST XXIV A CASE FOR THE POLICE XXV THE STEEL EDGE OF THE TRUTH XXVI ANNABEL IS WARNED XXVII JOHN FERRINGHAM, GENTLEMAN XXVIII THE HISSING OF “ALCIDE” XXIX MONTAGUE HILL PLAYS THE GAME XXX SIR JOHN’S NECKTIE XXXI ANNA’S TEA PARTY XXXII SIX MONTHS AFTER 138 144 150 156 162 169 174 178 183 188 ANNA THE ADVENTURESS Chapter I THE CARPET-KNIGHT AND THE LADY The girl paused and steadied herself for a moment against a field gate. His instinct was in the direction of considering his daughters his absolute property, bound to obey him, his to give away or his to keep to be a comfort in his declining years just as he thought fit. When first brought under consideration, she was a miserable and forlorn object; squalid in attire, haggard in looks, and emaciated in frame. “A young man comes into life asking how best he may place himself,” Ramage had said; “a woman comes into life thinking instinctively how best she may give herself. Let’s go on climbing now. CHAPTER THE FOURTEENTH THE COLLAPSE OF THE PENITENT Part 1 Spring had held back that year until the dawn of May, and then spring and summer came with a rush together. They’re fairly intricate little things. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance.
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