\" Cathy poured her a glass. ‘Desist, you little devil,’ he growled in her ear. " So saying, she retired, and Jack entered the cell. ‘What is it?’ ‘Er—shouldn’t I tell—I mean, the young lady, sir—’ ‘You can leave the young lady to me. Then suddenly with a rush came reality, came “growing up”; a hasty imperative appeal for seriousness, for supreme seriousness. " "I must now go and look after Thames," observed the carpenter. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming.
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