’ ‘Madame la Comtesse,’ put in Melusine, for she had learned much by pumping le pére Saint-Simon, who was acquainted with all the French exiles. Presently she was going through a swaying, noisy crowd, whose faces grinned and stared pitilessly in the light of the electric standards. ’ The pathetic sob which accompanied the last word had a signal effect on two of the company at least. But although startled and clearly afraid, there was no self-consciousness in her gaze and she was standing her ground. You lack only that mechanical knack of expression which is the least important part of an artist’s equipment, but which remains a tedious and absolute necessity.
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