From the first, Ann Veronica found him an exceptionally interesting man. It now came to him with an added thrill how well she had told her story; simply and directly, no skipping, no wandering hither and yon: from the first hour she could remember, to the night she had fled in the proa, a clear sustained narrative. ‘The credentials, milor’,’ he ventured. He played for an hour—Grieg, Chopin, Rubenstein, Liszt, crashing music. You did not marry her because you loved her; you did not marry because she might have had money; you did not marry her out of gratitude; you did not marry her because you had to.
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