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’ ‘I do not care any more about the portrait,’ Melusine said, opening the door to the attic corridor that gave off onto the row of little rooms that served as private cells for the senior nuns. A door slammed. F. “He spends hours of every day on the pavement below,” Anna answered calmly. “Couldn’t we three go out and have some coffee somewhere? The thought of that drawing-room paralyses me.
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