Perhaps you will now explain the alarm. The echoes of his hard, unpleasant laugh reached Anna on her way upstairs. I speak no harm of her. I will tell you this much, because you have been kind. He worked afternoons, when everybody else went to sleep; he worked at night under a heat-giving light, with insects buzzing and dropping about, with a blue haze of tobacco smoke that tried to get out and could not. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. The very facts that Miss Miniver never stated an argument clearly, that she was never embarrassed by a sense of self-contradiction, and had little more respect for consistency of statement than a washerwoman has for wisps of vapor, which made Ann Veronica critical and hostile at their first encounter in Morningside Park, became at last with constant association the secret of Miss Miniver’s growing influence.
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