"The youth whom you delivered to Van Galgebrok,—Thames Darrell, is returned. It was better even than the hymn-singing. She had narrowly escaped Martin in Orchestra class, who had been wrapped up discussing a new piece of his with Mr. Wood cut him short by stating his intention of crossing the river as soon as possible in order to avoid the storm. She flushed with desire and happiness, her husband had returned to her and all would be aright. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. "Why, of hanging the fellow who acts as his jackal; one Blake, or Blueskin, I think he's called.
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